Forty Centuries of Ink; or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curi by David Nunes Carvalho
page 49 of 472 (10%)
page 49 of 472 (10%)
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MSS. into pages and in this way into book form is said
by Suetonius to have been introduced by Julius Caesar, whose letters to the Senate were so made up, and after whose time the practice became usual for all documents either addressed to, or issuing from that body, or to or from the Emperors. As that form subsequently crept into general use, the books were known as "codices;" and hence the ordinary term as applied to manuscript volumes. All classes of "books," the reeds for writing in them, the inkstands, and the "capsae" or "scrinia," the boxes in which the "scapi" or rolls were kept, are minutely portrayed in ancient wall-paintings and ivory diptychs (double tablets), and which may belong to a period near the beginning of the Christian era. Pliny and Dioscorides have given the formulas for the writing inks used by the Greek and Roman scribes immediately before and during their time. Pliny declares that the ink of the bookmakers was made of soot, charcoal and gum, although he does not state what fluid was employed to commingle them. He does, however, mention to an occasional use of some acid (vinegar) to give the ink a binding property on the papyrus. Dioscorides, however, specifies the proportions of this "soot" ink. Another formula alluded to by the same author calls for a half ounce each of copperas |
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