and then contemplate her the victim of somnolent consequences, when--

"She cried herself quite fast asleep,"

Here an ordinary mind might have left the maiden and reverted "to her
streaming eyes," inflamed lids, dishevelled locks, and bursting sigh, as
satisfactory evidences of the truth of her broken-heartedness, but the
"great anonymous" of whom we treat, scorns the application of such
external circumstances as agents whereby to depict the intenseness of the
passion of the ten thousand condensed turtle-doves glowing in the bosom of
_his_ heroine. Sleep falls upon her eyes; but the "life of death," the
subtle essence of the shrouded soul, the watchful sentinel and viewless
evidence of immortality, the wild and flitting air-wrought impalpabilities
of her fitful dreams, still haunt her in her seeming hours of rest. Fancy
her feelings--

"When, standing fast by her bed-post,
A figure tall her sight engross'd,"

and it cried--

"'I be's Giles Scroggins' ghost.'"

Such is the frightful announcement commemorative of this visitation from
the wandering spirit of the erratic Giles. Death has indeed parted them.
Giles is cold, but still his love is warm! He loved and won her in
life--he hints at a right of possession in death; and this very
forgetfulness of what he _was_, and what he _is_, is the best essence of
the overwhelming intensity of his passion. He continues (with a beautiful
reliance on the faith and _living_ constancy of Molly, in reciprocation,