first teaching him cautiously to open the cabinet door, lest any
particles of dust should be dislodged and fix upon his canvas, and
advising him never to take up his pencil without sitting motionless
a few minutes, till every mote casually floating in the air should
be settled. Such instructions were not thrown away upon Watersouchy:
he treasured them up, and refined, if possible, upon such refinements."

In course of time Watersouchy gained the patronage of a rich but
frugal banker named Baise-la-Main, who seeing his value, arranged
for the painter to occupy a room in his house, "Nobody," Beckford
continues, "but the master of the house was allowed to enter this
sanctuary. Here our artist remained six weeks in grinding his colours,
composing an admirable varnish, and preparing his canvass, for a
performance he intended as his _chef d'oeuvre._ A fortnight more
passed before he decided upon a subject. At last he determined to
commemorate the opulence of Monsieur Baise-la-Main, by a perspective
of his counting-house. He chose an interesting moment, when heaps of
gold lay glittering on the counter, and citizens of distinction were
soliciting a secure repository for their plate and jewels. A Muscovite
wrapped in fur, and an Italian glistening in brocade, occupied the
foreground. The eye glancing over these figures highly finished, was
directed through the windows of the shop into the area in front of
the cathedral; of which, however, nothing was discovered, except two
sheds before its entrance, where several barbers were represented at
their different occupations. An effect of sunshine upon the counter
discovered every coin that was scattered upon its surface. On these
the painter had bestowed such intense labour, that their very legends
were distinguishable.

"It would be in vain to attempt conveying, by words, an idea adequate