The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 100 of 315 (31%)
page 100 of 315 (31%)
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Mephistopheles exults at the catastrophe he has wrought, angels appear
amid the music of the celestial choirs and bear the sufferer to heaven. The first act is in the nature of a prelude, and opens with a long soliloquy ("Interrogo invano") by Faust, in which he laments the unsatisfactoriness of life. It is interwoven with delightful snatches of chorus heard behind the scenes, a duet with Mephistopheles ("Ma il ciel"), and the delicate music accompanying the vision of Marguerite. The second act is contained in a single setting, the Kermesse, in which the chorus plays an important part. In the first scene the choruses of students, soldiers, old men, girls, and matrons are quaintly contrasted, and are full of animation and characteristic color. In the second, Valentin sings a tender song ("O santa medaglia") to a medallion of his sister which he wears as a charm. It is followed by a grim and weird drinking-song ("Dio dell' or"), sung by Mephistopheles. The latter then strikes fire from the fountain into his cup, and proposes the health of Marguerite. Valentin springs forward to resent the insult, only to find his sword broken in his hands. The students and soldiers recognize the spirit of evil, and overcome him by presenting the hilts of their swords in the form of a cross, the scene being accompanied by one of the most effective choruses in the work ("Tu puvi la spada"). The tempter gone, the scene resumes its gayety, and the act closes with one of the most animated and delightful of waltz tempos ("Come la brezza"). The third act is the Garden scene, full of fascinating detail, and breathes the very spirit of poetry and music combined in a picture of love which has never been excelled in tenderness and beauty on the |
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