Book-bot.com - read famous books online for free

The Standard Operas (12th edition) - Their Plots, Their Music, and Their Composers by George P. (George Putnam) Upton
page 100 of 315 (31%)
Mephistopheles exults at the catastrophe he has wrought, angels appear
amid the music of the celestial choirs and bear the sufferer to
heaven.

The first act is in the nature of a prelude, and opens with a long
soliloquy ("Interrogo invano") by Faust, in which he laments the
unsatisfactoriness of life. It is interwoven with delightful snatches
of chorus heard behind the scenes, a duet with Mephistopheles ("Ma il
ciel"), and the delicate music accompanying the vision of Marguerite.

The second act is contained in a single setting, the Kermesse, in
which the chorus plays an important part. In the first scene the
choruses of students, soldiers, old men, girls, and matrons are
quaintly contrasted, and are full of animation and characteristic
color. In the second, Valentin sings a tender song ("O santa
medaglia") to a medallion of his sister which he wears as a charm. It
is followed by a grim and weird drinking-song ("Dio dell' or"), sung
by Mephistopheles. The latter then strikes fire from the fountain into
his cup, and proposes the health of Marguerite. Valentin springs
forward to resent the insult, only to find his sword broken in his
hands. The students and soldiers recognize the spirit of evil, and
overcome him by presenting the hilts of their swords in the form of a
cross, the scene being accompanied by one of the most effective
choruses in the work ("Tu puvi la spada"). The tempter gone, the scene
resumes its gayety, and the act closes with one of the most animated
and delightful of waltz tempos ("Come la brezza").

The third act is the Garden scene, full of fascinating detail, and
breathes the very spirit of poetry and music combined in a picture of
love which has never been excelled in tenderness and beauty on the
DigitalOcean Referral Badge