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The Republic by Plato
page 60 of 789 (07%)
'art of measuring' is the rule cause of the disproportion between them.

3. In the third book of the Republic a nearer approach is made to a theory
of art than anywhere else in Plato. His views may be summed up as
follows:--True art is not fanciful and imitative, but simple and ideal,--
the expression of the highest moral energy, whether in action or repose.
To live among works of plastic art which are of this noble and simple
character, or to listen to such strains, is the best of influences,--the
true Greek atmosphere, in which youth should be brought up. That is the
way to create in them a natural good taste, which will have a feeling of
truth and beauty in all things. For though the poets are to be expelled,
still art is recognized as another aspect of reason--like love in the
Symposium, extending over the same sphere, but confined to the preliminary
education, and acting through the power of habit; and this conception of
art is not limited to strains of music or the forms of plastic art, but
pervades all nature and has a wide kindred in the world. The Republic of
Plato, like the Athens of Pericles, has an artistic as well as a political
side.

There is hardly any mention in Plato of the creative arts; only in two or
three passages does he even allude to them (Rep.; Soph.). He is not lost
in rapture at the great works of Phidias, the Parthenon, the Propylea, the
statues of Zeus or Athene. He would probably have regarded any abstract
truth of number or figure as higher than the greatest of them. Yet it is
hard to suppose that some influence, such as he hopes to inspire in youth,
did not pass into his own mind from the works of art which he saw around
him. We are living upon the fragments of them, and find in a few broken
stones the standard of truth and beauty. But in Plato this feeling has no
expression; he nowhere says that beauty is the object of art; he seems to
deny that wisdom can take an external form (Phaedrus); he does not
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