breathes freely and feels herself alone. Around her on all sides is
God, and Nature, who is here the face of God and not the slave of man.
The spirit of the world hath here not yet grown old. She is as young
as on the first day; and the Alps are a symbol of the self-creating,
self-sufficing, self-enjoying universe which lives for its own ends.
For why do the slopes gleam with flowers, and the hillsides deck
themselves with grass, and the inaccessible ledges of black rock bear
their tufts of crimson primroses and flaunting tiger-lilies? Why,
morning after morning, does the red dawn flush the pinnacles of Monte
Rosa above cloud and mist unheeded? Why does the torrent shout, the
avalanche reply in thunder to the music of the sun, the trees and
rocks and meadows cry their 'Holy, Holy, Holy'? Surely not for us.
We are an accident here, and even the few men whose eyes are fixed
habitually upon these things are dead to them--the peasants do not
even know the names of their own flowers, and sigh with envy when you
tell them of the plains of Lincolnshire or Russian steppes.

But indeed there is something awful in the Alpine elevation above
human things. We do not love Switzerland merely because we associate
its thought with recollections of holidays and joyfulness. Some of
the most solemn moments of life are spent high up above among the
mountains, on the barren tops of rocky passes, where the soul has
seemed to hear in solitude a low controlling voice. It is almost
necessary for the development of our deepest affections that some sad
and sombre moments should be interchanged with hours of merriment and
elasticity. It is this variety in the woof of daily life which endears
our home to us; and perhaps none have fully loved the Alps who have
not spent some days of meditation, or it may be of sorrow, among their
solitudes. Splendid scenery, like music, has the power to make 'of
grief itself a fiery chariot for mounting above the sources of grief,'