Punch, or the London Charivari, Volume 103, August 20, 1892 by Various
page 18 of 43 (41%)
page 18 of 43 (41%)
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farewell, and balmy slumbers!
[_He collects the final coins, and wheels away the piano. The crowd disperses; the listeners in the lodging-house balconies retire; and the Crescent is silent and deserted._ * * * * * OUR BOOKING-OFFICE. One of the Baron's "Merry Men All" has been reading and enjoying Mr. BARRY PAIN's _Stories and Interludes_. The book has a wondrously weird and heavily-lined picture in front, which is just a little too like a "Prophetic Hieroglyphic" in _Zadkiel's Almanack_. An emaciated and broken-winged devil is apparently carrying an engine-hose through a churchyard, whilst a bat flits against a curious sky, which looks like a young grainer's first attempt at imitating "birds'-eye maple." Upon a second glance it seems possible that the "hose" is a snake, the tail of which the devil is gnawing. The gruesome design illustrates a yet more gruesome Interlude, entitled, "_The Bat and the Devil._" But it gives no fair idea of the contents of the volume, some of which are charming. Read _White Nights_, stories within a story, told by a tragical "Fool," of the breed of HUGO's _Rigoletto_, and POE's _Hopfrog_--with a difference. They are told with force and grace, and with unstrained, but moving pathos. Read "The Dog That Got Found," a brief sketch indeed, but abundantly suggestive. Poor _Fido_--the "dog that got to be utterly sick of conventionality," and came to such bitter grief in his search for "life poignant and intense!" He might read a lesson |
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