A History of English Prose Fiction by Bayard Tuckerman
page 322 of 338 (95%)
page 322 of 338 (95%)
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worth, shows that a real advance has been made. This advance has left
plainly marked traces on the fiction of our time, where, too, we shall find plentiful evidence of that hypocrisy which has become our besetting sin. As we look back upon the list of the great authors who have written in the present century, it must be with a feeling of gratitude for the benefits they have conferred. They have devoted their lives to the production of literary works, the beauty and excellence of which have incalculably elevated the public taste. They have held up ideals and noble conceptions which insensibly impart a dignity to life, and an encouragement to youthful aspiration. They have described so truthfully and sympathetically the character and aims of different classes and different peoples, that whoever reads their works cannot but feel himself drawn nearer to great divisions of the human race, which he had hitherto regarded with an indifferent or a prejudiced eye. The novels of Scott, of Dickens, of Thackeray, of George Eliot, of Miss Austen, of Miss Ferrier, of very many others, have afforded to hundreds of thousands, young and old, a never failing source of healthful entertainment. Domestic life, as well in the cottage as the castle, has been cheered and enlivened by their presence. Their examples of heroism, of patience, of generosity, have excited the emulation of the young, while their pictures of selfishness and vice have stifled many an evil inclination and have given birth to many a good resolution. Such writers as these have expressed the best tendencies of the age. And they have been able to do so because they themselves are among the best men and women of their time. But, unfortunately, as the nineteenth century has many evil characteristics, and as depraved and weak-minded persons are often endowed with some literary capacity, a great deal of |
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