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A History of English Romanticism in the Eighteenth Century by Henry A. Beers
page 296 of 468 (63%)
blind crouder, with no rougher voice than rude style; which being so evil
apparelled in the dust and cobwebs of that uncivil age, what would it
work, trimmed in the gorgeous eloquence of Pindar!"

[9] Empty: "Bonnie George Campbell."

[10] "Lord Randall."

[11] Turf: "The Twa Corbies."

[12] I use this phrase without any polemic purpose. The question of
origins is not here under discussion. Of course at some stage in the
history of any ballad the poet, the individual artist, is present, though
the precise ration of his agency to the communal element in the work is
obscure. For an acute and learned view of this topic, see the
Introduction to "Old English Ballads," by Professor Francis B. Gummere
(Atheneum Press Series), Boston, 1894.

[13] From "Jock o' Hazel Green." "Young Lochinvar" is derived from
"Katherine Janfarie" in the "Minstrelsy of the Scottish Border."

[14] "Scott has given us nothing more complete and lovely than this little
song, which unites simplicity and dramatic power to a wildwood music of
the rarest quality. No moral is drawn, far less any conscious analysis
of feeling attempted: the pathetic meaning is left to be suggested by the
mere presentment of the situation. Inexperienced critics have often
named this, which may be called the Homeric manner, superficial from its
apparent simple facility."--_Palgrave: "Golden Treasury"_ (Edition of
1866), p. 392.

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