furnish readers inspiration that may bear fruit in their own lives, (3)
to give practical guidance by showing how one individual has
accomplished a certain thing. Whether the aim is to afford food for
thought, inspiration to action, or guidance in practical matters, the
treatment is essentially the same.

The recognized methods of describing characters in fiction may be used
to advantage in portraying real persons. These are (1) using general
descriptive terms, (2) describing personal appearance, (3) telling of
characteristic actions, (4) quoting their words, (5) giving biographical
facts, (6) citing opinions of others about them, (7) showing how others
react to them. By a judicious combination of several of these methods, a
writer can make his readers visualize the person, hear him speak, watch
him in characteristic actions, and understand his past life, as well as
realize what others think of him and how they act toward him.

Material for a personality sketch may be obtained in one of three ways:
(1) from a more or less intimate acquaintance with the person to be
described; (2) from an interview with the person, supplemented by
conversation with others about him; (3) from printed sketches of him
combined with information secured from others. It is easier to write
personality sketches about men and women whom we know well than it is
about those whom we have never met, or with whom we have had only a
short interview. Inexperienced writers should not attempt to prepare
sketches of persons whom they know but slightly. In a single interview a
writer who is observant, and who is a keen judge of human nature, may be
able to get an impression sufficiently strong to serve as the basis of a
satisfactory article, especially if the material obtained in the
interview is supplemented by printed sketches and by conversations with
others. Personality sketches sometimes include long interviews giving