VALUE OF A PLAN. Just as a builder would hesitate to erect a house
without a carefully worked-out plan, so a writer should be loath to
begin an article before he has outlined it fully. In planning a
building, an architect considers how large a house his client desires,
how many rooms he must provide, how the space available may best be
apportioned among the rooms, and what relation the rooms are to bear to
one another. In outlining an article, likewise, a writer needs to
determine how long it must be, what material it should include, how much
space should be devoted to each part, and how the parts should be
arranged. Time spent in thus planning an article is time well spent.

Outlining the subject fully involves thinking out the article from
beginning to end. The value of each item of the material gathered must
be carefully weighed; its relation to the whole subject and to every
part must be considered. The arrangement of the parts is of even greater
importance, because much of the effectiveness of the presentation will
depend upon a logical development of the thought. In the last analysis,
good writing means clear thinking, and at no stage in the preparation of
an article is clear thinking more necessary than in the planning of it.

Amateurs sometimes insist that it is easier to write without an outline
than with one. It undoubtedly does take less time to dash off a special
feature story than it does to think out all of the details and then
write it. In nine cases out of ten, however, when a writer attempts to
work out an article as he goes along, trusting that his ideas will
arrange themselves, the result is far from a clear, logical,
well-organized presentation of his subject. The common disinclination to
make an outline is usually based on the difficulty that most persons
experience in deliberately thinking about a subject in all its various