Joy in the Morning by Mary Raymond Shipman Andrews
page 57 of 204 (27%)
page 57 of 204 (27%)
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The Château Frontenac at Quebec is a turreted pile of masonry wandering down a cliff over the very cellars of the ancient Castle of St. Louis. A twentieth-century hotel, it simulates well a mediæval fortress and lifts against the cold blue northern sky an atmosphere of history. Old voices whisper about its towers and above the clanging hoofs in its paved court; deathless names are in the wind which blows from the "fleuve," the great St. Lawrence River far below. Jacques Cartier's voice was heard hereabouts away back in 1539, and after him others, Champlain and Frontenac, and Father Jogues and Mother Marie of the Conception and Montcalm--upstanding fighting men and heroic women and hardy discoverers of New France walked about here once, on the "Rock" of Quebec; there is romance here if anywhere on earth. Today a new knighthood hails that past. Uniforms are thick in steep streets; men are wearing them with empty sleeves, on crutches, or maybe whole of body yet with racked faces which register a hell lived through. Canada guards heroism of many vintages, from four hundred years back through the years to Wolfe's time, and now a new harvest. Centuries from now children will be told, with the story of Cartier, the tale of Vimy Ridge, and while the Rock stands the records of Frenchmen in Canada, of Canadians in France will not die. Always when I go to the Château I get a table, if I can, in the smaller dining-room. There the illusion of antiquity holds through modern luxury; there they have hung about the walls portraits of the worthies of old Quebec; there Samuel Champlain himself, made into bronze and heroic of size, aloft on his pedestal on the terrace outside, lifts his plumed hat and stares in at the narrow windows, turning his back on river and lower city. One disregards waiters in evening clothes and up-to-date table appointments, and one looks at Champlain and the |
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