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Critical Strictures on the New Tragedy of Elvira, Written by Mr. David Malloch by George Dempster;Andrew Erskine;James Boswell
page 14 of 27 (51%)
addressed to _Elvira_;

_'Midst all your Guilt I must admire your Virtue._

Let us invert this Line,

'Midst all your Virtue I must abhor your Guilt.

Let us parody it;

O Mr. _David Malloch_! 'midst all your Dullness I must admire
your Genius.

We heard it once asserted by _David Hume_, Esq;[B] that Mr. _Malloch_
was destitute of the Pathetic. In this Observation however we beg leave
to differ with him. In the fourth Act the whole Board of Portuguese
Privy Counsellors are melted into Tears. The Trial of the Prince moves
the Hearts of those Monsters of Iniquity, those Members of Inquisition,
when the less humane Audience are in Danger, from the Tediousness of two
insipid Harangues of falling fast asleep. This majestic Scene is too
exactly copied from a Trial at the _Old Bailey_, to have even the Merit
of Originality. And indeed it is to the Lenity of the King of _Portugal_
that we owe by far the greater Part of this amazing Play. The good Man
lets his rebellious Subjects out of Prison to chat with him, when a
wiser Monarch would have kept them close confined in _Newgate_. The
incomparable Action of that universal Genius Mr. _Garrick_ alone, saved
this Act from the Damnation it deserved. Had not he, like a second
_Æneas_, carried the old doating and decrepid Father on his Back, he
must have lain by the Way. Tho' we must observe another Character in
this Play seemed better suited to the Impetuosity and Fire of this
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