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Afterwhiles by James Whitcomb Riley
page 57 of 121 (47%)
And a knot of red roses sown in under there
Where the shadows are lost in her hair.

Then a cameo face, carven in on a ground
Of that shadowy hair where the roses are wound;
And the gleam of a smile, O as fair and as faint
And as sweet as the master of old used to paint
Round the lips of their favorite saint!

And that lace at her throat-- and fluttering hands
Snowing there, with a grace that no art understands,
The flakes of their touches-- first fluttering at
The bow-- then the roses-- the hair and then that
Little tilt of the Gainsborough hat.

Ah, what artist on earth with a model like this,
Holding not on his palette the tint of a kiss,
Nor a pigment to hint of the hue of her hair
Nor the gold of her smile-- O what artist could dare
To expect a result half so fair?


_Back From a Two-years' Sentence_

Back from a two-years' sentence!
And though it had been ten,
You think, I were scarred no deeper
In the eyes of my fellow-men.
"My fellow-men--?" Sounds like a satire,
You think-- and I so allow,
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