that. He came every night. But he came that night full of determination.
That was not unusual, either, but it had not carried him far. He had no
idea that his picture was romantic. He would have demanded it back had
he so much as suspected it. He wore his hair in a pompadour because
of the prosaic fact that he had a cow-lick. He was very humble about
himself, and Sara Lee was to him as wonderful as his picture was to her.

Sara Lee was in the parlor, waiting for him. The one electric lamp was
lighted, so that the phonograph in one corner became only a bit of
reflected light. There was a gas fire going, and in front of it was a
white fur rug. In Aunt Harriet's circle there were few orientals. The
Encyclopaedia Britannica, not yet entirely paid for, stood against the
wall, and a leather chair, hollowed by Uncle James' solid body, was by
the fire. It was just such a tidy, rather vulgar and homelike room as
no doubt Harvey would picture for his own home. He had of course never
seen the white simplicity of Sara Lee's bedroom.

Sara Lee, in a black dress, admitted him. When he had taken off his
ulster and his overshoes--he had been raised by women--and came in,
she was standing by the fire.

"Raining," he said. "It's getting colder. May be snow before morning."

Then he stopped. Sometimes the wonder of Sara Lee got him in the throat.
She had so much the look of being poised for flight. Even in her
quietest moments there was that about her--a sort of repressed
eagerness, a look of seeing things far away. Aunt Harriet said that
there were times when she had a "flighty" look.

And that night it was that impression of elusiveness that stopped