His Masterpiece by Émile Zola
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page 20 of 507 (03%)
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daring to go home to her relatives; or else there was some still more
intricate drama beneath it all; something horrible, inexplicable, the truth of which he would never fathom. All these hypotheses increased his perplexity. Meanwhile, he went on sketching her face, studying it with care. The whole of the upper part, the clear forehead, as smooth as a polished mirror, the small nose, with its delicately chiselled and nervous nostrils, denoted great kindliness and gentleness. One divined the sweet smile of the eyes beneath the closed lids; a smile that would light up the whole of the features. Unfortunately, the lower part of the face marred that expression of sweetness; the jaw was prominent, and the lips, rather too full, showed almost blood-like over the strong white teeth. There was here, like a flash of passion, something that spoke of awakening womanhood, still unconscious of itself amidst those other traits of childlike softness. But suddenly a shiver rippled over the girl's satiny skin. Perhaps she had felt the weight of that gaze thus mentally dissecting her. She opened her eyes very wide and uttered a cry. 'Ah! great heavens!' Sudden terror paralysed her at the sight of that strange room, and that young man crouching in his shirt-sleeves in front of her and devouring her with his eyes. Flushing hotly, she impulsively pulled up the counterpane. 'Well, what's the matter?' cried Claude, angrily, his crayon suspended in mid-air; 'what wasp has stung you now?' He, whose knowledge of womankind was largely limited to professional |
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