the city which is the tomb of Rubens still lives to us through him, and
him alone.

It is so quiet there by that great white sepulchre,--so quiet, save only
when the organ peals and the choir cries aloud the Salve Regina or the
Kyrie Eleison. Sure no artist ever had a greater gravestone than that
pure marble sanctuary gives to him in the heart of his birthplace in the
chancel of St. Jacques.

Without Rubens, what were Antwerp? A dirty, dusky, bustling mart, which
no man would ever care to look upon save the traders who do business on
its wharves. With Rubens, to the whole world of men it is a sacred name,
a sacred soil, a Bethlehem where a god of Art saw light, a Golgotha
where a god of Art lies dead.

O nations! closely should you treasure your great men, for by them alone
will the future know of you. Flanders in her generations has been wise.
In his life she glorified this greatest of her sons, and in his death
she magnifies his name. But her wisdom is very rare.

Now, the trouble of Patrasche was this. Into these great, sad piles of
stones, that reared their melancholy majesty above the crowded roofs,
the child Nello would many and many a time enter, and disappear through
their dark, arched portals, whilst Patrasche, left without upon the
pavement, would wearily and vainly ponder on what could be the charm
which thus allured from him his inseparable and beloved companion. Once
or twice he did essay to see for himself, clattering up the steps with
his milk-cart behind him; but thereon he had been always sent back again
summarily by a tall custodian in black clothes and silver chains of
office; and fearful of bringing his little master into trouble, he