Our readers will perceive that the odds are a thousand to one against
Paddy; yet, when he replies to a hackneyed genius at cross-examination,
how does it happen that he uniformly elicits those roars of laughter
which rise in the court, and convulse it from the judge to the crier? In
this laugh, which is usually at the expense of the cross-examiner, Paddy
himself always joins, so that the counsel has the double satisfaction of
being made not only the jest of the judge and his brother lawyers, but
of the ragged witness whom he attempted to make ridiculous.

It is not impossible that this merry mode of dispensing justice may
somewhat encourage Paddy in that independence of mind which relishes
not the idea of being altogether bound by oaths that are too often
administered with a jocular spirit. To most of the Irish in general an
oath is a solemn, to some, an awful thing. Of this wholesome reverence
for its sanction, two or three testimonies given in a court of justice
usually cured them. The indifferent, business-like manner in which the
oaths are put, the sing-song tone of voice, the rapid utterance of the
words, give to this solemn act an appearance of excellent burlesque,
which ultimately renders the whole proceedings remarkable for the
absence of truth and reality; but, at the same time, gives them
unquestionable merit as a dramatic representation, abounding with
fiction, well related and ably acted.

Thumb-kissing is another feature in Paddy's adroitness too important to
be passed over in silence. Here his tact shines out again! It would
be impossible for him, in many cases, to meet the perplexities of a
cross-examination so cleverly as he does, if he did not believe that he
had, by kissing his thumb instead of the book, actually taken no oath,
and consequently given to himself a wider range of action. We must
admit, however, that this very circumstance involves him in difficulties