A Treatise on Simple Counterpoint in Forty Lessons by Friedrich J. Lehmann
page 33 of 65 (50%)
page 33 of 65 (50%)
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The solutions should be musical, and are to be written over and over again until such are secured. All cadences of the second, third and fourth species, or any combination of these, may be used. EXERCISES To canti firmi _a_ and _b_ write two counterpoints above and two below, in the fifth species CANTI FIRMI [Illustration: Fig. 83.] LESSON X FLORID COUNTERPOINT (Continued) When florid counterpoint is combined with other than first species, the dotted half followed by a quarter-note (_a_), or two eighth-notes (_b_), is good. Also, a rhythmic figure, as at _c_, where a half-note occupies the second and third quarters, may be used. [Fig. 84.] |
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