A Treatise on Simple Counterpoint in Forty Lessons by Friedrich J. Lehmann
page 39 of 65 (60%)
page 39 of 65 (60%)
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Each measure should usually contain a complete chord. If not complete on
the first beat, bring the missing interval in on the second. [Fig. 98.] [Illustration: Fig. 98.] The cadences in Fig. 99 are good, and will suggest others. The use of the fourth species is permitted as at _a_. A note may be repeated in the final cadence in all species as at _b_. [Illustration: Fig. 99.] EXERCISES To cantus firmus _a_ write the first species in all parts, as previously directed. To cantus firmus _b_ write second species in one part. Write three times, changing cantus firmus and counterpoint about so that they will appear in each part in turn. CANTI FIRMI [Illustration: Fig. 100.] LESSON XIII |
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