[Illustration: Fig. 104.]

The cadences in Fig. 105 are good, and will suggest others. Those with
first species in all parts may also be used.

[Illustration: Fig. 105.]


EXERCISES

To cantus firmus _a_ write a counterpoint in the second species in one
part. Write three settings, as directed in the previous lesson.

Write two eight-measure phrases mixing the first and second species in all
parts.

To cantus firmus _b_ write counterpoints in the second species in the other
two parts. Write two settings, with the cantus firmus in different parts.


CANTI FIRMI

[Illustration: Fig. 106.]




LESSON XIV