A Conspiracy of the Carbonari by L. (Luise) Mühlbach
page 63 of 115 (54%)
page 63 of 115 (54%)
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to the fair curls on his head, and to tinge the tip of his nose with the
rosy hue which suggests a convivial nature. After this was accomplished, and the baron had convinced himself by a careful examination in the mirror that he was transformed into a charming, gay, young fellow, he began a similar metamorphosis of his costume. Taking the diamond pin from his lace jabot he hid it under his vest, which he buttoned to the necktie. Then removing the light silk long-skirted dress-coat, he turned it completely on the other side and, by taking out some pins which held them, let the tails fall back. The dress-coat was now changed into an overcoat, a blue cloth overcoat, whose color harmonized very pleasantly with his fair hair. Now the metamorphosis was complete, and, from the skill and speed with which the baron had performed it, one might suppose that he was not practising such arts of disguise for the first time, but was well-trained in them. With perfect calmness and deliberation he now put the cast-off articles into the parcels, hid them in the pockets of his clothes, and, after unscrewing the gold crutch-handle from his cane and replacing it by a plain ivory head, he drew up the little curtains and looked out with a keen, watchful gaze. The carriage was just passing down the crowded and busy Grabenstrasse moving behind a long row of equipages following a funeral procession, and the driver was of course compelled to proceed slowly. The baron now cautiously opened the carriage door, and as it was just in the act of turning a corner, he took advantage of the opportunity offered to spring with a swift leap into the street. He now hurried rapidly along the opposite side; his bearing was as vigorous and energetic as it had just been bowed and feeble; and with the wrinkles and gray hair every trace of age had also vanished he was now a young man, |
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