monkeys, dogs, and cats; some of those latter animals were what in
heraldic language would be called _queue-fourchée_. The place was
filled with a vast assortment of curious and beautiful articles,
gathered together during the long existence of the vessel. To give a
list of them would require pages; brought to Europe they would have
made the reputations of a dozen museums.

At the end of the saloon was the Joss-house, or idol-house, containing
the idol Chin-Tee, having eighteen arms, with her attendants, Tung-Sam
and Tung-See. The richly-gilt idol was made of one solid piece of
camphor-wood, and had a red scarf thrown round it. An altar-table,
also of camphor-wood, and painted red, stood in front of the
Joss-house, with an incense burner placed upon it. The red ground of
the table had gilt carvings of flowers and insects, and the imperial
dragons with the ball of flame between them. On each side of the front
was a square place painted green, with words in Chinese inviting
worshippers to bring gold and agate stones as offerings.

The sleeping berths of the crew were all _aft_, on a lower deck.
Close by these was the most astonishing part of the vessel, the colossal
rudder, not hung with pintles and gudgeons, the vessel having no
stern-post, but suspended to two windlasses by three large ropes made
of cane and hemp; one round a windlass on the next deck, and two round
a windlass on the upper deck of all, so that it could be raised or
lowered according to the depth of water. When lowered to its full
extent it drew about twenty-four feet, being twelve feet more than the
draught of the vessel. It was steered on this berth-deck when fully
lowered. It was also drawn close into the stern, into a kind of
socket, by means of two immense bamboo ropes attached to the bottom of
the rudder, passing beneath the bottom of the vessel, and coming over