Genoa, not one ever returned, nor do we hear anything further concerning
them but the rumour of their fate.

Thus Genoa appears to us of old and now, too, as a city of merchants.
She crushed Pisa lest Pisa should become richer than herself; she went
out against the Moors for Castile because of a whisper of the booty; she
sought to overthrow Venice because she competed with her trade in the
East; and to-day if she could she would fill up the harbour of Savona
with stones, as she did in the sixteenth century, because Savona takes
part of her trade from her. What Philip of Spain did for God's sake,
what Visconti did for power, what Cesare Borgia did for glory, Genoa has
done for gold. She is a merchant adventurer. Her true work was the Bank
of St. George. One of the most glorious and splendid cities of Italy,
she is, almost alone in that home of humanism, without a school of art
or a poet or even a philosopher. Her heroes are the great admirals, and
adventurers--Spinola, Doria, Grimaldi, Fieschi, men whose names linger
in many a ruined castle along the coast who of old met piracy with
piracy. Even to-day a Grimaldi spoils Europe at Monaco, as his ancestors
did of old.

One saint certainly of her own stock she may claim, St. Catherine
Adorni, born in 1447. But the Renaissance passed her by, giving her, it
is true, by the hands of an alien, the streets of splendid palaces we
know, but neither churches nor pictures; such paintings as she possesses
being the sixteenth century work of foreigners, Rubens, Vandyck,
Ribera, Sanchez Coello, and maybe Velasquez.

Yet barren though she is in art, at least Genoa has ever been fulfilled
with life. If her aim was riches she attained it, and produced much that
was worth having by the way. Without the appeal of Florence or Siena or