Records of a Girlhood by Frances Anne Kemble
page 41 of 960 (04%)
page 41 of 960 (04%)
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a friend upon the subject of the purchase of some stuff, which she had
not bought, "because," said she, "it was ell wide." The words "ell wide," perfectly incomprehensible to the child, seized upon his fancy, and produced some image of terror by which for a long time his poor little mind was haunted. Certainly this is a powerful instance, among innumerable and striking ones, of the fact that the fears of children are by no means the result of the objects of alarm suggested to them by the ghost-stories, bogeys, etc., of foolish servants and companions; they quite as often select or create their terrors for themselves, from sources so inconceivably strange, that all precaution proves ineffectual to protect them from this innate tendency of the imaginative faculty. This "ell wide" horror is like something in a German story. The strange aversion, coupled with a sort of mysterious terror, for beautiful and agreeable or even quite commonplace objects, is one of the secrets of the profound impression which the German writers of fiction produce. It belongs peculiarly to their national genius, some of whose most striking and thrilling conceptions are pervaded with this peculiar form of the sentiment of fear. Hoffman and Tieck are especially powerful in their use of it, and contrive to give a character of vague mystery to simple details of prosaic events and objects, to be found in no other works of fiction. The terrible conception of the _Doppelgänger_, which exists in a modified form as the wraith of Scottish legendary superstition, is rendered infinitely more appalling by being taken out of its misty highland half-light of visionary indefiniteness, and produced in frock-coat and trousers, in all the shocking distinctness of commonplace, everyday, contemporary life. The Germans are the only people whose imaginative faculty can cope with the homeliest forms of reality, and infuse into them _vagueness_, that element of terror most alien from familiar things. That they may be tragic enough we know, but that they have in them a mysterious element of terror of quite |
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