whose features must always be remembered. I never saw greater
beauty, or sweetness, or wisdom:--it is the kind of face to go mad
for, because it cannot walk out of its frame. There is also a
famous dead Christ and live Apostles, for which Buonaparte offered
in vain five thousand louis; and of which, though it is a capo
d'opera of Titian, as I am no connoisseur, I say little, and
thought less, except of one figure in it. There are ten thousand
others, and some very fine Giorgiones amongst them, &c. &c. There
is an original Laura and Petrarch, very hideous both. Petrarch has
not only the dress, but the features and air of an old woman, and
Laura looks by no means like a young one, or a pretty one. What
struck me most in the general collection was the extreme
resemblance of the style of the female faces in the mass of
pictures, so many centuries or generations old, to those you see
and meet every day among the existing Italians. The queen of Cyprus
and Giorgione's wife, particularly the latter, are Venetians as it
were of yesterday; the same eyes and expression, and, to my mind,
there is none finer.

"You must recollect, however, that I know nothing of painting; and
that I detest it, unless it reminds me of something I have seen, or
think it possible to see, for which reason I spit upon and abhor
all the Saints and subjects of one half the impostures I see in the
churches and palaces; and when in Flanders, I never was so
disgusted in my life, as with Rubens and his eternal wives and
infernal glare of colours, as they appeared to me; and in Spain I
did not think much of Murillo and Velasquez. Depend upon it, of all
the arts, it is the most artificial and unnatural, and that by
which the nonsense of mankind is most imposed upon. I never yet saw
the picture or the statue which came a league within my conception