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Charles Dickens and Music by James T. Lightwood
page 44 of 210 (20%)
some bars, and beat time on the seat beside him,
seemed to denote the musician; and the extraordinary
satisfaction he derived from humming something very
slow and long, which had no recognizable tune, seemed
to denote that he was a scientific one.

A less capable performer was Sampson Brass, who hummed

in a voice that was anything but musical certain
vocal snatches which appeared to have reference to the
union between Church and State, inasmuch as they were
compounded of the Evening Hymn and 'God Save the King.'

Musicians of various degrees abound in the _Sketches_. Here is
Mr. Wisbottle, whistling 'The Light Guitar' at five o'clock
in the morning, to the intense disgust of Mr. John Evenson,
a fellow boarder at Mrs. Tibbs'. Subsequently he came down to
breakfast in blue slippers and a shawl dressing-gown, whistling
'Di piacer.' Mr. Evenson can no longer control his feelings,
and threatens to start the triangle if his enemy will not stop
his early matutinal music. A suggested name for this whistler
is the 'humming-top,' from his habit of describing semi-circles
on the piano stool, and 'humming most melodiously.' There are
a number of characters who indulge in the humming habit either
to cover their confusion, or as a sign of light-heartedness and
contentment. Prominent amongst these are Pecksniff, who, like
Morfin, hums melodiously, and Micawber, who can both sing and
hum. Nor must we omit to mention Miss Petowker, who 'hummed a
tune' as her contribution to the entertainment at Mrs. Kenwigs'
party. Many of the characters resort to humming to conceal
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