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Charles Dickens and Music by James T. Lightwood
page 68 of 210 (32%)
his pocket on which, whenever the conversation flagged,
he played the first part of a great many tunes, and
regularly broke down in the second.

This instrument was on Mr. Feeder's _agenda_.

Two more instruments demand our attention. At the marriage
of Tackleton and May Fielding (_C.H._) there were to be
marrow-bones and cleavers, while to celebrate the union of
Trotty Veck's daughter Meg and Richard they had a band including
the aforesaid instruments and also the drum and the bells. It
was formerly the custom for butchers' assistants to provide
themselves with marrow-bones and cleavers for musical effects.
Each cleaver was ground so that when it was struck with the
bone it emitted a certain note.[12] A complete band would
consist of eight men, with their cleavers so tuned as to give
an octave of notes. After more or less practice they would
offer their services as bandsmen on the occasion of marriage
ceremonies, which they had a wonderful faculty for locating,
and they would provide music (of a kind) _ad libitum_ until the
requisite fee was forthcoming. If their services were declined
the butchers would turn up all the same, and make things very
unpleasant for the marriage party. The custom dates from the
eighteenth century, and though it has gradually fallen into
disuse a marrow-bone and cleaver band is still available in
London for those who want it. A band took part in a wedding
ceremony at Clapham as recently as the autumn of 1911.

The following extract, referring to the second marriage of
Mr. Dombey, shows what bridal parties had to put up with in
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