Charles Dickens and Music by James T. Lightwood
page 71 of 210 (33%)
page 71 of 210 (33%)
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encouraging us to try a note or two at psalm time;
to the gallery congregation's manner of enjoying a shrill duet, without a notion of time or tune; to the whity-brown man's manner of shutting the minister into the pulpit, and being very particular with the lock of the door, as if he were a dangerous animal. Elsewhere he found in the choir gallery an 'exhausted charity school' of four boys and two girls. The congregations were small, a state of things which at any rate satisfied Mrs. Lirriper, who had a pew at St. Clement Danes and was 'partial to the evening service not too crowded.' In _Sunday under Three Heads_ we have a vivid picture of the state of things at a fashionable church. Carriages roll up, richly dressed people take their places and inspect each other through their glasses. The organ peals forth, the hired singers commence a short hymn, and the congregation condescendingly rise, stare about them and converse in whispers. Dickens passes from church to chapel. Here, he says, the hymn is sung--not by paid singers, but by the whole assembly at the loudest pitch of their voices, unaccompanied by any musical instrument, the words being given out, two lines at a time, by the clerk. It cannot be said that, as far as the music is concerned, |
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