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Horace and His Influence by Grant Showerman
page 75 of 134 (55%)
whether for the study of history or of mere humanity. Christianity was
therefore compelled to employ the old forms of art, which involved the
use of the old instrumentalities of literary education. When, finally,
paganism had fallen under its repeated assaults, what had been forced
use became a matter of choice, and the classics were taken under the
Church's protection and marked with her approval.

The data regarding Horace in the Middle Age are few, but they are clear.
We need not examine them all in order to draw conclusions.

The monastic idea, of eastern origin and given currency in the West by
Jerome, was first reduced to systematic practice by Benedict, who
created the first Rule at Monte Cassino about the time of the Mavortian
recension of Horace, in 527. New moral strength issued from the
cloisters now rapidly established. Cassiodorus, especially active in
promoting the spiritual phase of monkish retreat, made the intellectual
life also his concern. Monte Cassino, between Naples and Rome, and
Bobbio, in the northern part of the peninsula, were the great Italian
centers. The Benedictine influence spread to Ireland, which before the
end of the sixth century became a stronghold of the movement and an
inspiration to England, Germany, France, and even Italy, where Bobbio
itself was founded by Columban and his companions. St. Gall in
Switzerland, Fulda at Hersfeld in Hesse-Nassau, Corvey in Saxony, Iona
in Scotland, Tours in France, Reichenau on Lake Constance, were all
active centers of religion and learning within two hundred years from
Benedict's death.

The monasteries not only afforded the spiritual enthusiast the
opportunity of separation from the world of temptation and storm, but
were equally inviting to men devoted first of all to the intellectual
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