but by acknowledging them to the full, and by seeing that Nature is
supplemented by man and his soul. Such a union, as has already been
pointed out, will create an earnestness and joyousness of life; it will
enable man, when any teleology of Nature herself fails to give him
satisfaction, to realise a teleology within the _substance_ of his own
life--spiritual in its essence, infinite in its duration, and the
flowering of a bud which has grown with the help of the natural cosmos.
When Nature is thus viewed as a preparatory stage for spirit, it will
wear an aspect very different from the mechanical one. Its real
teleology [p.127] will be seen: there can be no dispute about it; it has
actually produced man, and man has now to carry farther the evolutionary
process. Eucken has presented this aspect in a fine manner in his
article on Schiller in _Kantstudien_[42] (Band X., Heft 3), _Festschrift
zu Schillers hundertstem Todestage_. No one in modern times discovered
the contradictions of the world in regard to the needs of man more than
Schiller. And yet no one led a more joyous life than this "half-poet,
half-thinker." Pressed from within and without by many alien elements,
he overcame them all and found, despite his physical weakness, what a
gift life is. It is in the direction of a great synthesis of spiritual
life and natural phenomena that true art will discover the qualities for
a permanent duration. Such a synthesis will enrich the spiritual life,
and will grant it something of higher construction concerning the
meaning and value of the union of Nature and Man. So Eucken has once
more landed us into the spiritual life as the source and goal of all
true Art.


"Only the rooted knowledge to high sense
Of heavenly can mount, and feel the spur
For fruitfullest achievement, eye a mark