derivatives of _consummare_ and _consumere_ relieves the translator,
Andrew Chertsey, from the appearance of an over-literal translation, but
the change in the date of the completed work can hardly be in the
direction of accuracy.

The woodcuts which appeared in the first edition of the "Ordinary"
printed in 1502 are in this second edition replaced by others of
different design and better execution, borrowed mainly from "The crafte
to lyve well and to dye well", printed by de Worde in 1505 and like the
present work translated by Chertsey from a French original, _L'art de
bien vivre et de bien mourir_. Two of these illustrations, "Temptation
to Impatience" (fol. 73^b) and "Soul leaving the Body" (fol. 218^a), are
copied from the early block-book _Ars moriendi_.

Bound by Alfred Matthews in blind-tooled crimson morocco, with inside
gold borders and gilt edges. Leaf 8-1/4 × 5-3/4 in.

Wynkyn de Worde, Caxton's assistant, was a native of Wörth, Alsace. He
came into possession of his master's printing materials on his death in
1491 and continued to occupy his house in Westminster until 1500 when he
moved to Fleet Street within the city. In the number of his books,
almost eight hundred, he surpassed all the early printers, but many of
them were works of small size and consequence. Some of his largest and
finest books were reprints of Caxton's folios. Mention has been made of
his use of Caxton's original device without addition. In all of his own
various devices also, the place of honor in the center is given to
Caxton's initials and cipher, plainly as a mark of loyalty to the
master, not an advertisement of himself as the successor.