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Dante: "The Central Man of All the World" - A Course of Lectures Delivered Before the Student Body of the New York State College for Teachers, Albany, 1919, 1920 by John T. Slattery
page 46 of 210 (21%)
Griffin, the symbol of Christ. Further, on the stellar white cross of
red-glowing Mars the poet shows the figure of the Redeemer. In the
Empyrean Christ is represented in the unveiled glory of His human and
divine natures. So teaching the doctrine of the Incarnation most clearly
and most ardently Dante seeks to promote this cultus as the soul of the
Catholic religion.

Dante's second special devotion is to the Blessed Virgin. His Paradiso
contains the best treatise on Mariology. The whole Divine Comedy indeed
is the poet's loving testimonial of gratitude to the Madonna. It was
through Mary that his visionary voyage to the other world was made
possible. She rescued him when he was enslaved by sin and sent as his
successive guides Virgil, Beatrice and St. Bernard. She of all creatures
is proclaimed on every terrace of Purgatory first in virtue and highest
in dignity and her example is exhibited as an unfailing source of
inspiration to the Souls, to endure suffering cheerfully and to make
themselves, like her, the exemplars of goodness in the highest degree.
In Paradiso she is seen by the poet in all her unspeakable loveliness
and beatitude and as Queen of Angels and of Saints her intercession is
favorably invoked that Dante might enjoy the Vision of God himself. In
the last canto of the poem her super-eminence and incomparable
excellence are sung "with a sweetness of expression, a depth of
philosophy and a tenderness of feeling that have never been surpassed
in human language."

"Thou Virgin Mother, daughter of thy Son,
Humble and high beyond all other creatures,
The limit fixed of the eternal counsel;
Thou art the one who such nobility
To human nature gave that its Creator
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