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Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation by Estelle M. (Estelle May) Hurll
page 54 of 102 (52%)
began it, he left it to some unskilful apprentices to finish. The
effect of the lines is injured by the bronze drapery which was added
later. A bronze sandal has also been put on the right foot to protect
it, as it had become much worn by kisses.

In criticising a statue one must always remember that it is best seen
in the surroundings for which it is designed. It is said, even by one
who does not greatly admire Michelangelo's Christ, that in the dim
light of the church where it stands, "it diffuses a grace and
sweetness which no reproduction renders."[18]

[Footnote 18: Symonds, in _Life of Michelangelo Buonarotti_.]




VIII

THE CREATION OF MAN


Science has long been trying to solve the problem of the origin of the
human race. Great books are published by learned men to explain how
the being called man came to be what he is. But centuries before the
beginnings of science a wonderful poem was written on the same subject
of the creation. This poem is called Genesis, that is, the Birth or
Origin of things, and it forms a part of the first book of our Bible.
Ever since it was written it has been one of the sacred books of many
people.

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