Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation by Estelle M. (Estelle May) Hurll
page 54 of 102 (52%)
page 54 of 102 (52%)
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began it, he left it to some unskilful apprentices to finish. The
effect of the lines is injured by the bronze drapery which was added later. A bronze sandal has also been put on the right foot to protect it, as it had become much worn by kisses. In criticising a statue one must always remember that it is best seen in the surroundings for which it is designed. It is said, even by one who does not greatly admire Michelangelo's Christ, that in the dim light of the church where it stands, "it diffuses a grace and sweetness which no reproduction renders."[18] [Footnote 18: Symonds, in _Life of Michelangelo Buonarotti_.] VIII THE CREATION OF MAN Science has long been trying to solve the problem of the origin of the human race. Great books are published by learned men to explain how the being called man came to be what he is. But centuries before the beginnings of science a wonderful poem was written on the same subject of the creation. This poem is called Genesis, that is, the Birth or Origin of things, and it forms a part of the first book of our Bible. Ever since it was written it has been one of the sacred books of many people. |
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