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The Picture of Dorian Gray by Oscar Wilde
page 78 of 298 (26%)
to him the one thing worth investigating. Compared to it there
was nothing else of any value. It was true that as one watched
life in its curious crucible of pain and pleasure, one could
not wear over one's face a mask of glass, nor keep the sulphurous
fumes from troubling the brain and making the imagination turbid
with monstrous fancies and misshapen dreams. There were poisons
so subtle that to know their properties one had to sicken of them.
There were maladies so strange that one had to pass through them
if one sought to understand their nature. And, yet, what a great
reward one received! How wonderful the whole world became to one!
To note the curious hard logic of passion, and the emotional
coloured life of the intellect--to observe where they met,
and where they separated, at what point they were in unison,
and at what point they were at discord--there was a delight in that!
What matter what the cost was? One could never pay too high a price for
any sensation.

He was conscious--and the thought brought a gleam of pleasure into
his brown agate eyes--that it was through certain words of his,
musical words said with musical utterance, that Dorian Gray's soul
had turned to this white girl and bowed in worship before her.
To a large extent the lad was his own creation. He had made
him premature. That was something. Ordinary people waited till
life disclosed to them its secrets, but to the few, to the elect,
the mysteries of life were revealed before the veil was drawn away.
Sometimes this was the effect of art, and chiefly of the art of literature,
which dealt immediately with the passions and the intellect.
But now and then a complex personality took the place and assumed
the office of art, was indeed, in its way, a real work of art,
life having its elaborate masterpieces, just as poetry has, or sculpture,
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