The Guinea Stamp - A Tale of Modern Glasgow by Annie S. (Annie Shepherd) Swan
page 36 of 418 (08%)
page 36 of 418 (08%)
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himself, it may be believed, but he had long inured himself to such
privation, and bore it with an outward semblance of content. When they had eaten, he busied himself getting an old rug and a pillow from the chest standing across one of the windows, and carried them into the other room, then he bade Gladys get quickly to bed, and not burn the candle too long. He went in the dark himself, and when Gladys heard his footsteps growing fainter in the long passage a great terror took possession of her, the place was so strange, so cold, so unknown. For some time she was even afraid to move, but at last she rose and crossed the floor to the windows, to see whether from them anything friendly or familiar could be seen. But they looked into the street, and had thick iron bars across them, exactly like the windows of a gaol. It was the last straw added to the burden of the unhappy child. Her imagination did not lack in vividness, and a thousand unknown terrors rose up before her terrified eyes. If only from the window she might have looked up to the eyes of the pitying stars, she had been less desolate, less forlorn. A sharp sense of physical cold was the first thing to arouse her, and she took the candle and approached the bed. Now, though they had ever been poor, the artist and his child had kept their surroundings clean and wholesome. In her personal tastes Gladys was as fastidious as the highest lady in the land. She turned down the covering, and when she saw the hue of the linen her lip curled, and she hastily covered it up from sight. In the end, she laid herself down without undressing above the bed, spreading a clean handkerchief for her head to rest upon; and so, worn-out, she slept at last an untroubled and dreamless sleep, in which she forgot for many hours her forlorn and friendless state. [Illustration] |
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