Throwing-sticks in the National Museum - Third Annual Report of the Bureau of Ethnology to the - Secretary of the Smithsonian Institution, 1883-'84, - Government Printing Office, Washington, 1890, pages 279-289 by Otis T. Mason
page 12 of 30 (40%)
page 12 of 30 (40%)
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In the national collection is a specimen marked Russian America,
collected by Commodore John Rodgers, resembling in many respects the Kotzebue Sound type. The handle is of the same razor-strop shape, but on the upper side are three deep depressions for the finger-tips. In several of the objects already described provision is made for the tips of the last three fingers by means of a gutter or slight indentations. But in no other examples is there such pronounced separation of the fingers. In very many of the Norton Sound skin-dressers, composed of a stone blade and ivory handle, the fingers are separated in exactly the same manner. These skin-dressers are from the area just south of Kotzebue Sound. The back of the Rodgers specimen is ornamented in its lower half by means of grooves. In its upper half are represented the legs and feet of some animal carved out in a graceful manner. The index-finger cavity is central and is seen on the upper side by a very slight rectangular perforation, which, however, does not admit the extrusion of any part of the index-finger. The upper surface is formed by two inclined planes meeting in the center. Along this central ridge is excavated the groove for the spear-shaft, deep at its lower end and quite running out at its upper extremity. The hook for the end of the harpoon-shaft in this specimen resembles that seen on the throwing-sticks of the region south of Cape Vancouver. The whole execution of this specimen is so much superior to that of any other in the Museum and the material so different as to create the suspicion that it was made by a white man, with steel tools (Fig 8). EASTERN SIBERIAN TYPE. The National Museum has no throwing-stick from this region, but Nordenskjöld figures one in the Voyage of Vega (p. 477, Fig. 5), which |
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