suggested rather a brigand and a princess than a duke and a titleless
daughter of the democracy. Nina was holding her head very high, yet
easily and unconsciously, because it was her natural way of standing.
The dancing had brought color to her cheeks, and her eyes were
sparkling; but it was at the evening in general, not at the man who at
that moment was trying to please her. She could not bear the duke's
sharp little black eyes, his brutal square jaw, his unctuous manners;
and as he took her hand to lead her down a figure of the quadrille, its
thickness felt to her imagination like a paw.

Dancing vis-à-vis were Giovanni and the Contessa Potensi. Nina did not
know her name or anything about her, but she felt at first sight a
subtle antagonism, and, following an instinct that she would have found
difficult to account for, she turned her attention away toward a second
personality, which fascinated her in as great a degree as that of the
Potensi had repelled.

"Who is that over there?" she asked of the duke. "I mean the slender
girl in black."

"The Contessa Olisco. She was a Russian princess. Her name was Zoya
Kromitskoff. I thought the name of Zoya pretty once--that is, until I
heard the name of N-i-n-a!"

As he said her name they were just turning around the last figure, and
she might not, without attracting attention, snatch her hand from his;
but his familiarity in using her Christian name made her cheeks burn. In
the final courtesy she barely inclined her head, and at the close of the
dance went in quest of her aunt without noticing his proffered arm. At
this unheard-of behavior, the duke hurried after her, biting his