"Tell Lord Byron that, if any accident should retard his return, his
mother desires he will write to her, as she shall be miserable if he
does not arrive the day he fixes. Mr. W. B. has written a card to Mrs.
H. to offer for the character of 'Henry Woodville,'--Mr. and Mrs. ----
not approving of their son's taking a part in the play: but I believe
he will persist in it. Mr. G. W. says, that sooner than the party
should be disappointed, _he_ will take any part,--sing--dance--in
short, do any thing to oblige. Till Lord Byron returns, nothing can be
done; and positively he must not be later than Tuesday or Wednesday."

We have already seen that, at Harrow, his talent for declamation was
the only one by which Lord Byron was particularly distinguished; and
in one of his note-books he adverts, with evident satisfaction, both
to his school displays and to the share which he took in these
representations at Southwell:--

"When I was a youth, I was reckoned a good actor. Besides Harrow
speeches (in which I shone), I enacted Penruddock in the Wheel of
Fortune, and Tristram Fickle in Allingham's farce of the Weathercock,
for three nights (the duration of our compact), in some private
theatricals at Southwell, in 1806, with great applause. The occasional
prologue for our volunteer play was also of my composition. The other
performers were young ladies and gentlemen of the neighbourhood, and
the whole went off with great effect upon our good-natured audience."

It may, perhaps, not be altogether trifling to observe, that, in thus
personating with such success two heroes so different, the young poet
displayed both that love and power of versatility by which he was
afterwards impelled, on a grander scale, to present himself under such
opposite aspects to the world;--the gloom of Penruddock, and the whim