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The Poetry of Architecture by John Ruskin
page 25 of 194 (12%)
flat, so as never to let it intrude upon the eye; and the consequence
is, that, while an English village, seen at a distance, appears all red
roof, the Italian is all white wall; and therefore, though always
bright, is never gaudy. We have in these roofs an excellent example of
what should always be kept in mind, that everything will be found
beautiful, which climate or situation render useful. The strong and
constant heat of the Italian sun would be intolerable if admitted at the
windows; and, therefore, the edges of the roof project far over the
walls, and throw long shadows downwards, so as to keep the upper windows
constantly cool. These long oblique shadows on the white surface are
always delightful, and are alone sufficient to give the building
character. They are peculiar to the buildings of Spain and Italy; for
owing to the general darker color of those of more northerly climates,
the shadows of their roofs, however far thrown, do not tell distinctly,
and render them, not varied, but gloomy. Another ornamental use of these
shadows is, that they break the line of junction of the wall with the
roof: a point always desirable, and in every kind of building, whether
we have to do with lead, slate, tile, or thatch, one of extreme
difficulty. This object is farther forwarded in the Italian cottage, by
putting two or three windows up under the very eaves themselves, which
is also done for coolness, so that their tops are formed by the roof;
and the wall has the appearance of having been terminated by large
battlements and roofed over. And, finally, the eaves are seldom kept
long on the same level: double or treble rows of tiling are introduced;
long sticks and irregular wood-work are occasionally attached to them,
to assist the festoons of the vine; and the graceful irregularity and
marked character of the whole must be dwelt on with equal delight by the
eye of the poet, the artist, or the unprejudiced architect. All,
however, is exceedingly humble; we have not yet met with the elevation
of character we expected. We shall find it however as we proceed.
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