_think_, too, I will endeavour to follow the counsel which shines out
of Miss Austen's "mild eyes," to finish more, and be more subdued; but
neither am I sure of that. When authors write best, or, at least,
when they write most fluently, an influence seems to waken in them
which becomes their master--which will have its way--putting out of
view all behests but its own, dictating certain words, and insisting
on their being used, whether vehement or measured in their nature, new
moulding characters, giving unthought of turns to incidents, rejecting
carefully elaborated old ideas, and suddenly creating and adopting new
ones. Is it not so? And should we try to counteract this influence?
Can we indeed counteract it?' {126}

The playful raillery with which the one parries an attack on her liberty,
and the vehement eloquence of the other in pleading the same cause and
maintaining the independence of genius, are very characteristic of the
minds of the respective writers.

The suggestions which Jane received as to the sort of story that she
ought to write were, however, an amusement to her, though they were not
likely to prove useful; and she has left amongst her papers one entitled,
'Plan of a novel according to hints from various quarters.' The names of
some of those advisers are written on the margin of the manuscript
opposite to their respective suggestions.

'Heroine to be the daughter of a clergyman, who after having lived
much in the world had retired from it, and settled on a curacy with a
very small fortune of his own. The most excellent man that can be
imagined, perfect in character, temper, and manner, without the
smallest drawback or peculiarity to prevent his being the most
delightful companion to his daughter from one year's end to the other.