make the objects more beautiful in the eyes of the owners. In this work
there are no set patterns and each artist gives full reign to the fancy
in producing these figures. Third, that the ideas for the patterns
inlaid, incised, and cast in brass or copper, are furnished by the
examples of this work coming from the Malays to the south, but that even
in these the artist has taken great liberties in the execution of the
design. Fourth, that one type of decoration, i. e., the incised figures
filled with lime, suggests the possible influence of Melanesia on the
artistic ideas of this people.

MYTHOLOGY.

During my stay with this tribe I heard parts of many folk-tales, some
chanted, others told with gravity, and still others which caused the
greatest levity. My limited knowledge of the dialect and pressure of
other work caused me to delay the recording of these tales until I
should begin a systematic study of the language. Owing to unforeseen
circumstances, that time never came, and it is now possible to give only
the slightest idea of a very rich body of tales.[54]

[54] Since this was written MISS BENEDICT has published an excellent
collection of Bagobo Myths (_Journal of American Folklore_, 1913, XXVI.
pp. 13-63.)

In the main these stories are an attempt to account for the present
order of things. In the tale which we quoted in part, at the beginning
of the paper, we are told of an all-powerful being who created the earth
and all that is. Other spirits and many animals inhabited the sky and
earth which the creator had made. Of the latter only one, the monkey, is
named. He and his kind, we are told, once inhabited and owned all the