made, she orders the family to provide her with betel nut, a piece of
iron, and bits of broken dishes, or castoff clothing. These are placed
on the platform and the _buso_ are exhorted to come and accept them.
Good offerings are never made to this class of spirits, for "they do not
expect to be treated like the more powerful." A shrub known as
_dalingding_ is planted by the side of the shrine so that its location
may be known even after the platform has fallen, and all passersby will
make some small offering, hoping thus to keep these evil beings in good
humor.

Rain can be stopped by placing an offering of a leg ring, or prepared
betel nut beside the trail and presenting them to the _Gimokod_, at the
same time asking them to stop the downpour.

DECORATIVE ART.

To a stranger entering a Bagobo house, in the absence of its owners, it
appears that the people have little artistic development. He sees no
paintings, no drawings, and few, if any, attempts to beautify the house
with carvings. The pots sitting by the fire, show no decoration nor do
the other household utensils exhibit embellishment of any kind. A closer
study of the field baskets, however, shows a slight attempt to produce
ornamentation by changing the weave of the central band from that at the
top and bottom, or by adding a few rude lines in pitch. The moment the
people enter, however, all is changed. The clothing they wear is covered
with intricate patterns, some realistic, others highly conventionalized
(Plate XXXI). Wonderful designs in beads or shell disks appear on coats,
jackets, and carrying bags, while at neck, waist, shoulder, and at the
bottom of sleeves and trousers are other figures in fine embroidery or
applique. Strands of beads and seeds exhibiting a great variety of