For Every Music Lover - A Series of Practical Essays on Music by Aubertine Woodward Moore
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page 4 of 142 (02%)
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The Musical Education That Educates 61 Symmetrical development. Well-rounded musician. Well-balanced individual. Profits proportionate to investment. Living force. What Goethe said. Rich harvest. Aristotle on command over mind. Music study many-sided. Madox-Brown on art. Mabie on beauty. Practical forces in shaping character, purifying taste and elevating standards. Master-works. Human voice as music teacher. Scientific methods of study. Both art and science. Mental discipline. Stephen A. Emory. Huxley on education. How to Interpret Music 73 College professors on criticism and interpretation. External and technical forms. Distrusting impressions. Trampling on God-given intuitions. Throb and thrill of great art. Insight requisite for interpretation. Living with masterpieces. Three souls of Browning. Dr. Corson. Every faculty alive. Vital knowledge. Musical imagination. Technical proficiency. Head, hand and physical forces. In service of lofty ideal. Musical art work. Theme. Unfolding. Climax. Labor of composition. Mind of genius. Elementary laws. Tonal language. Karl Formes and operatic aspirant. Motto of Leschetitzky. Marks of expression. Adolph Kullak. Hans von Bülow. Pulse of music. Memory. Ruskin's fatal faults. How to Listen to Music 89 |
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