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Tales from the Hindu Dramatists by R. N. Dutta
page 76 of 143 (53%)

Usha and Chitralekha, her companion, receive a visit from Nareda, in
whose presence the latter unfolds a picture containing portraits of all
the chief characters in Swerga, Patala, and on earth, or Indra, and
other gods; Sesha, Takshaka and the Nagas, and different princes, as the
kings of Magadha, Mathura, Avanti, Madra, Mahishmati, and Viderbha,
Yudhishthira, Krishna, Baladeva, Pradyumna, and finally Aniruddha, whom
Usha recognizes as the individual seen in her dream, and of whom she is
enamoured. Nareda recommends that Chitralekha be sent to Dwaravati to
invite Aniruddha, whom he enables to fly thither, whilst he remains in
charge of Usha, whom he sends to the garden to await her lover's
arrival.

Aniruddha and Chitralekha arrive at Sonapur and the former is united to
his mistress.

Aniruddha is detected by Bana. An engagement ensues. Krishna, Baladeva,
and Pradyumna coming to the aid of the prince, the day is going ill with
Bana, when Kartikeya, Ganesha, and Siva and Chandi come to his succour.
Notwithstanding the presence of his allies, Bana has all his thousand
arms cut off by Krishna except four. Siva advances to the aid of his
votary, when a combat ensues between the gods which combat Brahma
descends to arrest. The gods embrace one another. Parvati and Brahma
support Bana to make his submission.

Vishnu declares he is less sensible of the wounds inflicted by Bana,
than of the regret he feels at his presumption in contending with Siva.
The latter consoles him by telling him he only did a warrior's duty, and
that military prowess is independent of all motives of love or hatred.

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