The Drama of the Forests - Romance and Adventure by Arthur Henry Howard Heming
page 171 of 368 (46%)
page 171 of 368 (46%)
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alarm and dread, and they are the voices of the owl, the loon, and the
timber-wolf. But to me their voices bring a solemn, at times an eerie, charm, that I would gladly go miles to renew. Though much of the wolf-howling has been of little appeal, I have heard wolf concerts that held me spell-bound. On some occasions--but always at night--they lasted without scarcely any intermission for three or four hours. The first part of the programme was usually rendered--according to the sound of their voices--by the youngest of the pack; later the middle-aged seemed to take the stage; but of all the performance, nothing equalled in greatness of volume or in richness of tone the closing numbers, and they were always rendered by what seemed to be some mighty veteran, the patriarch of the pack, for his effort was so thrilling and awe-inspiring that it always sent the gooseflesh rushing up and down my back. Many a time, night after night, beneath the Northern Lights, I have gone out to the edge of a lake to listen to them. When hunting big game, such as deer, wolves assist one another and display a fine sense of the value of team-work in running down their prey. Though the wolf is a shy and cautious animal, he is no coward, as the way he will slash into a pack of dogs goes far to prove. In the North the stories of the wolf's courage are endless; here, for example, is one: "During our residence at Cumberland House in 1820," says Richardson, "a wolf, which had been prowling and was wounded by a musket ball and driven off, returned after it became dark, whilst the blood was still flowing from its wound, and carried off a dog, from amongst fifty others, that howled piteously, but had no courage to unite in an attack on their enemy." Nevertheless, wolves rarely attack man, in fact, only when they are |
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