The Drama of the Forests - Romance and Adventure by Arthur Henry Howard Heming
page 283 of 368 (76%)
page 283 of 368 (76%)
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beings by scent, they trail them by sight or sometimes by touch. Sight
trailing, of course, you understand. Trailing by touch, however, when not understood by the spectator, seems a marvellous performance. For instance, when a husky dog, the leader of a sled-train, will come out of the forest and with his head held high, and without a moment's hesitation, trot across a lake that may be three or four miles wide, upon the surface of which the wind and drifting snow have left absolutely no visible sign of a trail, and when that dog will cross that great unbroken expanse and enter the woods on the far shore exactly where the trail appears in sight again, though no stick or stone or any other visible thing marks the spot--it does seem a marvellous feat. But it is done, not by sight, sound, or scent, but by touch--the feel of the foot. In winter time man, too, follows a trail in the same way, notwithstanding that he is generally handicapped by a pair of snowshoes. Some unseen trails are not hard to follow--even a blind man could follow them. It is done this way: Suppose you come to a creek that you want to cross, yet you can see no way of doing it, for there is nothing in sight--neither log nor bridge--spanning the river. But suppose someone tells you that, though the water is so muddy that you cannot see an inch into it, there is a flat log spanning the creek about six inches below the surface, and that if you feel about with your foot you can find it. Then, of course, you would make your way across by walking on the unseen log, yet knowing all the time that if you made a misstep you would plunge into the stream. You would do it by the feel of the foot. It is just the same in following an unseen trail in the snow--it lies hard-packed beneath the surface, just as the log lay unseen in the river. What a pity it is that the writers of northern tales so rarely understand the life they have made a specialty of depicting. |
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