morning had given a bright rosy tint; but the gentlemen choristers had
evidently been chosen, like old Cremona fiddles, more for tone than
looks; and as several had to sing from the same book, there were
clusterings of odd physiognomies, not unlike those groups of cherubs we
sometimes see on country tombstones.

The usual services of the choir were managed tolerably well, the vocal
parts generally lagging a little behind the instrumental, and some
loitering fiddler now and then making up for lost time by travelling
over a passage with prodigious celerity, and clearing more bars than
the keenest fox-hunter to be in at the death. But the great trial was an
anthem that had been prepared and arranged by Master Simon, and on which
he had founded great expectation. Unluckily there was a blunder at the
very outset; the musicians became flurried; Master Simon was in a fever;
everything went on lamely and irregularly until they came to a chorus
beginning "Now let us sing with one accord," which seemed to be a signal
for parting company: all became discord and confusion; each shifted for
himself, and got to the end as well, or rather as soon, as he could,
excepting one old chorister in a pair of horn spectacles bestriding and
pinching a long sonorous nose; who, happening to stand a little apart,
and being wrapped up in his own melody, kept on a quavering course,
wriggling his head, ogling his book, and winding all up by a nasal solo
of at least three bars' duration.

The parson gave us a most erudite sermon on the rites and ceremonies
of Christmas, and the propriety of observing it not merely as a day
of thanksgiving, but of rejoicing; supporting the correctness of his
opinions by the earliest usages of the Church, and enforcing them by the
authorities of Theophilus of Cesarea, St. Cyprian, St. Chrysostom, St.
Augustine, and a cloud more of Saints and Fathers, from whom he made