grace it. The Baroness taught her daughter every conceivable stitch in
tapestry and women's work--plain sewing, embroidery, netting. At
seventeen Rosalie had never read anything but the _Lettres edifiantes_
and some works on heraldry. No newspaper had ever defiled her sight.
She attended mass at the Cathedral every morning, taken there by her
mother, came back to breakfast, did needlework after a little walk in
the garden, and received visitors, sitting with the baroness until
dinner-time. Then, after dinner, excepting on Mondays and Fridays, she
accompanied Madame de Watteville to other houses to spend the evening,
without being allowed to talk more than the maternal rule permitted.

At eighteen Mademoiselle de Watteville was a slight, thin girl with a
flat figure, fair, colorless, and insignificant to the last degree.
Her eyes, of a very light blue, borrowed beauty from their lashes,
which, when downcast, threw a shadow on her cheeks. A few freckles
marred the whiteness of her forehead, which was shapely enough. Her
face was exactly like those of Albert Durer's saints, or those of the
painters before Perugino; the same plump, though slender modeling, the
same delicacy saddened by ecstasy, the same severe guilelessness.
Everything about her, even to her attitude, was suggestive of those
virgins, whose beauty is only revealed in its mystical radiance to the
eyes of the studious connoisseur. She had fine hands though red, and a
pretty foot, the foot of an aristocrat.

She habitually wore simple checked cotton dresses; but on Sundays and
in the evening her mother allowed her silk. The cut of her frocks,
made at Besancon, almost made her ugly, while her mother tried to
borrow grace, beauty, and elegance from Paris fashions; for through
Monsieur de Soulas she procured the smallest trifles of her dress from
thence. Rosalie had never worn a pair of silk stockings or thin boots,