for a study and writing-room. The other suite, she has made into two
separate apartments for guests, each with a bedroom, an antechamber,
and a cabinet. The servants have rooms in the attic. The rooms for
guests are furnished with what is strictly necessary, and no more. A
certain fantastic luxury has been reserved for her own apartment. In
that sombre and melancholy habitation, looking out upon the sombre and
melancholy landscape, she wanted the most fantastic creations of art
that she could find. The little salon is hung with Gobelin tapestry,
framed in marvellously carved oak. The windows are draped with the
heavy silken hangings of a past age, a brocade shot with crimson and
gold against green and yellow, gathered into mighty pleats and trimmed
with fringes and cords and tassels worthy of a church. This salon
contains a chest or cabinet worth in these days seven or eight
thousand francs, a carved ebony table, a secretary with many drawers,
inlaid with arabesques of ivory and bought in Venice, with other noble
Gothic furniture. Here too are pictures and articles of choice
workmanship bought in 1818, at a time when no one suspected the
ultimate value of such treasures. Her bedroom is of the period of
Louis XV. and strictly exact to it. Here we see the carved wooden
bedstead painted white, with the arched head-board surmounted by
Cupids scattering flowers, and the canopy above it adorned with
plumes; the hangings of blue silk; the Pompadour dressing-table with
its laces and mirror; together with bits of furniture of singular
shape,--a "duchesse," a chaise-longue, a stiff little sofa,--with
window-curtains of silk, like that of the furniture, lined with pink
satin, and caught back with silken ropes, and a carpet of Savonnerie;
in short, we find here all those elegant, rich, sumptuous, and dainty
things in the midst of which the women of the eighteenth century lived
and made love.